It’s undeniable that Soda Stereo internationalised rebellious Argentinean rock during the big-hair era, and 1985’s Nada Personal, their second full-length, is nothing short of a New Wave alt-rock wonderland. Soaked in sensuous basslines, jangly guitar strums and buoyant synth stabs, the opening title track introduces their cool, reluctant spirit. By the time “Cuando Pase el Temblor”—a pan flute-heavy smasher—plays, Gustavo Cerati’s warm, lilting voice induces heavy swooning. And with “Juegos de Seducción”, their erotic electro-rock agenda becomes clearer than ever.